Download Son Seals mp3

Artist: Son Seals: mp3 download    Genre(s):  Blues     Discography:      Lettin' Go    Year: 2000    Tracks: 14      Spontaneous Combustion    Year: 1996    Tracks: 12      Midnight Son    Year: 1990    Tracks: 9      Living in the Danger Zone    Year: 1989    Tracks: 11 It all started with a effectual call from Wesley Race, world Health Organization was at the Flamingo Club on Chicago's South Side, to Alligator Records proprietor Bruce Iglauer. Race was raving near a new feel, a lester Willis Young guitarist named Son Seals. He held the sound in the instruction of the bandstand, so Iglauer could get an on-site newspaper. It didn't take farsighted for Iglauer to scramble into action at jurisprudence. Alligator issued Seals' eponymous debut album in 1973, which was followed by sestet more. Son Seals was born Frank Seals on August 13, 1942 in Osceola, Arkansas. His pop operated a juke joint called the Dipsy Doodle Club in Osceola where Sonny Boy Williamson, Robert Nighthawk, and Albert King cavorted upfront while little Frank listened intently in back. Drums were the youth's first base instrument; he played them behind Nighthawk at age 13. But by the sentence he was 18, Son Seals sour his talents to guitar, fronting his possess band in Little Rock. While visiting his sister in Chicago, he aquiline up with Earl Hooker's Roadmasters in 1963 for a few months, and on that point was a 1966 erolia minutilla with Albert King that sent him behind the drumkit once more than. But with the dying of his don in 1971, Seals returned to Chicago, this sentence for effective. When Alligator gestural him up, his days fronting a banding at the Flamingo Club and the Expressway Lounge were numbered. Seals' jaggy, inflexible guitar riffs and gruff vocals were showcased very effectively on that 1973 debut determine, which contained his "Your Love Is like a Cancer" and a hot subservient called "Live Sauce." Midnight Son, his 1976 encore, was by comparison a practically trickster amour, with close horns, funkier grooves, and a set list that included "Telephone set Angel" and "On My Knees." Seals LP in 1978 at Wise Fools Pub; some other studio concoction, Chicago Fire, in 1980, and a solid sic in 1984, Bad Axe, before having a disagreement with Iglauer that that was patched up in 1991 with the departure of his sixth Alligator set, Living in the Danger Zone. Zippo But the Truth followed in 1994, sporting some of the worst cover nontextual matter in CD account, just a stinging card of songs inside. Another unrecorded disc, Self-generated Combustion, was recorded at Buddy Guy's Legends club and released in June of 1996. Over the years, Seals had his share of hardship, bad deals, unemployment, and rip-offs that go on in the medicine business. However, his personal life took 2 crushing blows in the late '90s. On January 5, 1997, during a domestic dispute, Seals was shot in the yack away by his late mate. He miraculously recovered and continued touring. Two years later he had his left wing stage amputated as a result of diabetes. What would induce certainly forced almost performers into retirement only made Seals more dedicated to his euphony and audience. He came back in 2000, sign language with Telarc Blues, and recorded Lettin' Go. Seals preferent to remain close to his Chicago home, retention his touring itinerary to an sheer lower limit. Virtually every weekend he could be base somewhere on the Northside blues circuit, dishing up his raw-edged brand of bad blues ax to local followers. The blues complete for Son Seals on December 20, 2004; he passed aside due to diabetes related to complications.

Mp3 music: Tommy Roe

Horace Silver

   
Artist: Horace Silver

   Genre(s): 
Jazz
   

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Discography:


   
 A Night at Birdland, Vol. 2

   Year: 1954   
Tracks: 7


   
 A Night at Birdland, Vol. 1

   Year: 1954   
Tracks: 8

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From the perspective of the former 2000s, it is clear that few jazz musicians own had a greater wallop on the modern-day mainstream than Horace Silver. The looker boP style that Silver pioneered in the '50s is immediately dominant, played not only by holdovers from an to begin with generation, only as well by fuzzy-cheeked musicians world Health Organization had even so to be born when the music fell out of critical favour in the '60s and '70s.


Silver's earlier musical influence was the Cape Verdean ethnic music music he heard from his Portuguese-born don. Later, after he had begun playing forte-piano and sax as a high schooler, Silver came under the spell of blues singers and boogie pianists, as well as boppers like Thelonious Monk and Bud Powell. In 1950, Stan Getz played a concert in Hartford, CT, with a pickup rhythm section that included Silver, drummer Walter Bolden, and bassist Joe Calloway. So impressed was Getz, he hired the whole three. Silver had been deliverance his money to move to New York in any event; his hiring by Getz sealed the deal.


Silver worked with Getz for a year, so began to freelance just about the metropolis with such big time players as Coleman Hawkins, Lester Young, and Oscar Pettiford. In 1952, he recorded with Lou Donaldson for the Blue Note mark; this date light-emitting diode him to his first recordings as a leader. In 1953, he united forces with Art Blakey to form a conjunct under their joint leadership. The band's first-class honours degree album, Horace Silver and the Jazz Messengers, was a milepost in the development of the genre that came to be known as hard federal Bureau of Prisons. Many of the tunes penned by Silver for that record -- "The Preacher," "Doodlin'," "Room 608" -- became idle words classics. By 1956, Silver had left wing the Messengers to record on his own. The series of Blue Note albums that followed established Silver for all time as one of jazz's major composer/pianists. LPs like Blowin' the Blues Away and Song for My Father (both recorded by an ensemble that included Silver's longtime sidemen Blue Mitchell and Junior Cook) featured Silver's harmonically sophisticated and formally distinctive compositions for small jazz supporting players.


Silver's forte-piano trend -- laconic, imaginative, and dead foul-smelling -- became a theoretical account for subsequent mainstream pianists to emulate. Some of the most influential horn players of the '50s, '60s, and '70s first attained a metre of excrescence with Silver -- musicians like Donald Byrd, Woody Shaw, Joe Henderson, Benny Golson, and the Brecker Brothers all played in Silver's stripe at a point early in their careers. Silver has regular affected members of the van; Cecil Taylor confesses a Silver influence, and trumpeter Dave Douglas played in brief in a Silver combo.


Silver recorded solely for Blue Note until that label's eclipse in the late '70s, whereupon he started his own label, Silveto. Silver's '80s turn was unwell distributed. During that time he began authorship lyrics to his compositions; his work began to display a worry with music's metaphysical powers, as exemplified by record album titles like Music to Ease Your Disease and Spiritualizing the Senses. In the '90s, Silver deserted his label venture and began recording for Columbia. With his re-emergence on a major label, Silver is once once again receiving a bill of the attention his contribution deserves. Certainly, no one has of all time contributed a bigger and more vital body of original compositions to the jazz canon.

Coldplay's 30 Days of Radio

Coldplay are set to get their own radio station during their US tour!

The show, called '30 Days of Coldplay', will feature exclusive live performance from the guys on tour, rare songs, interviews and more.

It will be broadcast on XM Radio channel 51 in the US from July 15.

Coldplay's 'Viva La Vida' tour kicks off in LA on July 14.

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French filmmaker Jean Delannoy dies at age 100; won top Cannes prize

PARIS - Classic French filmmaker Jean Delannoy, who adapted novels by Victor Hugo and Andre Gide and won the Cannes Film Festival's top prize in 1946, has died at age 100, officials said Thursday.

Delannoy died Wednesday at his home in Guainville, southwest of Paris, the local city hall said, without providing the cause of death.

Many of Delannoy's films, starring actors including Jean Gabin, Jean Marais and Michele Morgan, were French box office successes in the 1940s and 1950s.

But Delannoy's classic style went out of fashion in the 1960s, when he was derided by the more avant-garde New Wave filmmakers, including Francois Truffaut. The New Wave dubbed his movies "le cinema de papa."

French President Nicolas Sarkozy praised Delannoy for "devoting his life, with success, to his passion for art."

"More than just a great artist, he was a man of great intelligence, alert, pertinent and faithful in friendship," Sarkozy said in a statement.

Culture Minister Christine Albanel said Delannoy represented the "pure classic French style: a mix of refinement and depth inherited from his long companionship with literature."

Working with a script by Jean Cocteau, Delannoy revisited the Tristan and Isolde legend in 1943's "L'Eternel Retour" (Eternal Return).

His 1946 film "La Symphonie Pastorale," adapted from a Gide novel, won Cannes' top prize. The film told the story of a blind orphan who falls in love with a married pastor.

Another of his films was "Notre Dame de Paris" (The Hunchback of Notre Dame), an adaptation of Hugo's novel starring Gina Lollobrigida and Anthony Quinn.

Information about funeral arrangements was not immediately available.

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Mc Lyte Fights For Female Rap Grammy

Rap veteran MC LYTE is spearheading a new campaign to help her peers pick up more Grammy Awards.

The Cha Cha Cha hitmaker, who became the first female rapper to score a gold single, is using her position on the Grammy committee to reinstall a category for the ladies of hip-hop at the annual music Oscars.

She says, "We have not had a female rap category at the Grammys since 2003, and I'm trying to get this thing reinstated for 2009.

"I'm getting all of these sisters ready, whether they're signed or unsigned."

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Sex Sells -- Even On Monday

Warner Bros.' Sex and the City took in an additional $5.5 million in ticket sales on Monday -- more than most films earned during the entire previous weekend, according to box-office trackers Media By Numbers. By contrast, the No. 2 film on Monday, Paramount's Indiana Jones and the Kingdom of the Crystal Skull, took in 3.5 million. As was the case over the weekend, the box-office success of SATC on Monday was driven by women visiting their local theaters in groups. More than 85 percent of ticket buyers were female, according to trade reports. As of Monday the film had grossed $62.5 million.


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Tyler Perry - Perry Reveals Suicidal Thoughts

Comedy actor TYLER PERRY tried to commit suicide during his abusive childhood, after suffering at the hands of a violent father.

The 38-year-old failed, and later changed his name to disassociate himself from his miserable upbringing.

Perry - born Emmett Perry - says, "As a kid, I considered suicide and even attempted it a couple of times because I thought it would be easier to be dead. I remember when I was 17, I did something that ticked (my father) off - something minor. My father grabbed me, threw me to the floor and stomped me.

"There were times when I felt I wasn't going to make it. It was nothing but the grace of God that helped me make it through. It was more frustration than anything - not wanting to be in that situation anymore."

Perry later used his struggles to inspire career success - after watching a 1992 episode of The Oprah Winfrey Show, he took the talk-show queen's advice and began to compose letters about his abusive past. The compilation then became the basis to his first hit musical I Know I've Been Changed.

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